Ginger Nuts of Horror
Let’s face facts here, people. The 1990s had some damn good horror movies! But what sets the ’90s apart from every other decade? It goes without saying (but I’m going to say it anyhow), every era has its own brand or style of horror. The classic silent pictures of the early 1910s with its German expressionism and tales of old legends and then moving on to the Universal Monsters, such as:Dracula, Frankenstein, The Mummy, The Wolf Man, The Mad Ghoul, The Leopard Man, Cat People, etc. etc showed us a new world, reconstructing itself from the maiming machines of the Great War. And then we had the “invaders” of the ’50s with its outlandish sci-fi horror-esk Cold War-esk flicks, like The Day The Earth Stood Still, Invasion of the Body Snatchers, Invaders from Mars, Them!, The Blob, Creature from the Black Lagoon, Plan 9 From Outer Space, etc. etc. And then in the ’60s movies drew downward into psychological freights, with Psycho, Night of the Living Dead,Rosemary’s Baby, Black Sunday, Carnival of Souls, Whatever Happened to Baby Jane, X: The Man with the X-Ray Eyes, and so on and so on. And of course, who could forget the ’70s? The decade ofSavage Cinema with terrifying flicks, such as: The Exorcist, Dawn of the Dead, Alien, The Texas Chain Saw Massacre, Jaws, Carrie, The Omen, Shivers, The Brood, Deathdream, etc. etc. And of course moving into the big hair, more of everything, excess-excess of the 1980s, with films like:The Evil Dead, Re-Animator, Nightmare of Elm Street, The Thing, The Fly, Return of the Living Dead,The Stuff, Hellraiser, Poltergeist, American Werewolf in London, Videodrome, Creepshow, and so many more, not to mention the birth of the Friday the 13th series and the modern slasher.
Lets return to the above question. What could be said of the 1990s? The monsters, in retrospect, seem to be more internalized, almost spiritual or more supernatural in nature than in decades past. Before moving on to our movie in review, lets examine for a moment the occultioris sensus of some of these spiritual-supernatural horror flicks, which would include:In The Mouth of Madness, Candyman, Jacob’s Ladder, Wes Craven’s New Nightmare, Nightbreed, The Sixth Sense,Ravenous, Sleepy Hollow, Silence of the Lambs, Baby Blood,Lawnmower Man, Cronos, The People Under the Stairs, Misery,Cube, Ringu, The Serpent and the Rainbow, Event Horizon, etc. etc. And I know I’ve probably missed some, but still… Take a look! For the most part, pooling from a majority of movies, we can tell that horror withdrew from the overindulgence of gore and mayhem and, much like in the ’60s with the addition of supernaturalism, drew inward becoming a spiritual-supernatural psychological thriller. And when our beloved classics crossed over into the new era, they likewise transformed into the cerebral appetites of said decade. Consider Wes Craven’s New Nightmare, which was not heralded as a good Nightmare on Elm Street…why? Because its not a Nightmare on Elm Street movie. The ’80s are…game over man! Done! Gone. Hasta la vista baby! When long running series’ transition into a new decade, the judgement and critique of the film becomes…well, a tad bit unfair. When we hear Nightmare on Elm Street or Friday the 13th we expect what we watched in the 1980s, but its not the 1980s anymore. If we were to be reasonably rational, we must critique said movie for the era in which it was made… Of course, a really-really-really good critique will look at both, if the movie is from a running series. Does the movie honor the decade past while ushering in a new take in the new era? While Jason Goes to Hell has received some rather harsh criticism, my opinion on the matter is, yes, Jason Goes to Helldoes honor the past while bringing in the new.
Jason Goes to Hell brings back all kinds of 1990s nostalgia. For the life of me I cannot recall if I was able to see this one in theaters or not, however, I do remember watching it on VHS and thinking how different it was from the others (I even can recall the Fangoria issue with Jason Goes To Hell!!!), but not in a bad way, just a different way. With being a big fan of Friday the 13th, I’d read all the books (that’s right, there are books!) and was familiar with the concept of the supernatural element with Jason, that is, his spirit can live-on in others. Voodoo type stuff. Think, Child’s Play. This was sort-of the concept for Part V, but lets not get into that right now…
Jason Goes to Hell had some drawbacks, sure. Fans were hoping for what they’ve come to love, teen-slasher-gore. But that’s simply not what this movie was about. I think to better understandJason Goes to Hell we should look at it as its own stand-alone flick. If we can push away from the table of Great Expectations, we’d see the amazingness this Final Friday brings to the table. Much likeNew Nightmare was for Freddy. I know plenty who hate that movie, simply because it wasn’t like the others. Personally, I enjoyed both. Yes, they weren’t the slashers we remembered from the ’80s. But hey, the ’80s are over, man! In Jason Goes to Hell, the action was well paced. The acting was a hell of a lot better than in some of the Friday’s past. The cast was also solid. There was humor, specifically in all the Easter Eggs in the Voorhees house. The Uncut edition was chock full of gore and practical effects. It was brutal when it needed to be and it was supernatural when it needed to be. And the soundtrack was also very memorable. Overall, I thought Jason Goes to Hell was a fantastic addition to the franchise, taking the ’90s spiritual-supernaturalism back into the gore-fest mayhem of the ’80s, or vise-versa…? Oh, whatever, you know what i’m getting at!
My Rating: 4/5