Ginger Nuts of Horror
Out now on all major VOD is The Forlorned, taken from the book by Angela J Townsend who also co-wrote the screenplay and served as executive producer
Spooky films are commonplace, low-budget ones even more so, but what is rare is a low-budget spooky film with genuine atmosphere and good acting. The Forlorned has a simple enough haunted house premise with just enough about it to make it more interesting than the average. Perhaps the greatest aspect of this being the film’s tighter focus on a central character whose experiences we follow rather than the shifting perspectives of having half a dozen model types scene stealing whilst running and screaming all over the place. The Forlorned benefits from a slow pace and solid performances without feeling the need for any flashiness.
Tom Doherty needs work and so he applies for a job doing maintenance and restoration work on an island lighthouse and properties in Nova Scotia, Canada. Little does he know that the island is so haunted that none of the locals wanted the job. It’s a reasonable set up, with the opening scenes stating what actually happened in 1812, which to my way of thinking might have been better if it had been expanded upon as the relevant segments are somewhat short. That is not to say that the film suffers for this, just that it may have made an already good film a lot better, however there’s always the possibility that what follows through the bulk of the film may have appeared too sedate in comparison.
Colton Christensen excels in the role of Tom Doherty, I watch one hell of a lot of low-budget horror films, a vast amount of which have lead characters who couldn’t act their way out of a paper bag and are mostly hired for glamour rather than talent. Colton Christensen is a refreshing change in that he looks as if he could genuinely be the kind of person he is portraying, moreover he actually acts as if he is just a handyman in a haunted house. It’s a performance worthy of a main character in a Stephen King film, which this isn’t, but having said that it did remind me of one of my favourite spooky films, Stephen King’s 1408, which the build-up in The Forlorned for the most part manages to emulate without being derivative as it utilises familiar tropes but gives them enough tweaks to separate them from the mainstream. 1408 is superior but so was the budget, yet The Forlorned delivers the goods with as much style.
The supporting cast for the most part have an air of awkwardness about them consistent with their roles, suitably restrained, with no outstanding performances or characters overshadowing Tom Doherty so we keep all eyes on him as we are supposed to. It’s a very clever balance. Elizabeth Mouton as Amy is introduced somewhat late in the proceedings, giving careful exposition at the same time as setting up the denouement.
The production team have all done a fine job, the muted colour schemes lend a beautiful atmosphere and the special effects are excellent. All in all with a plethora of ghosts, Demonic hogs, deranged violence and a thoroughly believable descent into madness The Forlorned is good enough to stand a second viewing.